Argylle, 2024 - ★★½

Watched on Tuesday February 13, 2024.

With this comment on one of my tiktoks, I think I’ve passed the Wilford Brimley line.

A comment on tiktok reading “Julie this is the most adorable video I’ve ever seen”

I wasted an hour of my morning because I forgot that WordPress requires you to pay $400CAD/year for hosting if you want to install one of WordPress’ own plugins.

I’ve been hearing more about Fourthwall as a Patreon alternative, but only from random websites mentioning it. I haven’t seen any creators I follow using it afaik. Anyone subscribed to someone via Fourthwall?

I’m trying to like Stage Manager on macOS, but it’s not quite clicking for me. I can see how it’d be handy on an iPad, but my brain is so hard wired to singular windows and CMD-tabbing my way through them.

I have to take some recalled salad back to Costco which will probably end up costing me $350.

I feel a similar sentiment applies to podcasting as well. a.wholelottanothing.org/2024/02/0…

My hope for YouTube creators is much like bloggers. Don’t spend all your time chasing the tea leaves and conventional wisdom. Focus on your channel/site and keep creating things you love that will resonate with your viewers/readers. Hopefully the money will follow, but obsessing over how to eeek out every last cent from your work will make your work suffer.

The Greatest Night in Pop, 2024 - ★★★

Watched on Saturday February 10, 2024.

My ideal work week has 80% podcast editing related activities, and 20% invoicing, estimating, and related business managing activities.

Is there someone out there who’s the inverse of that? Wants to edit 20% of the time, but otherwise enjoys estimating and invoicing? 🤔

Hey #Saskatchewan peeps: what awful corporation have you signed your cell phone plan(s) over to these days and why?